it sounded old—
—now: it seemed to him that he-was-always-saying-or-thinking that he-didn’t-deserve-some-bad-luck-or-some-bad-treatment from others.
(he’d told Guitar that he didn’t-deserve-his-family’s
if you take a flat map
and move wooden blocks upon it strategically,
the thing looks well, the blocks behave as they should.
the science of war is moving live men like blocks.
and getting the blocks into place at a fixed moment.
but it takes time to mold your men into blocks
and flat maps turn into country where creeks and gullies
hamper your wooden squares.
they stick in the brush,
they are tired and rest, they straggle after ripe blackberries,
and you cannot lift them up in your hand [and] move them. … men into blocks
she was fascinated with
were things of beauty, … beauty & spells.
because i love writing & tips & mostly, rebecca solnit
1) write. there is no substitute. write what you most passionately want to write, not blogs, posts, tweets or all the disposable bubblewrap in which modern life is cushioned. but start small: write a good sentence, then a good paragraph, and don’t be dreaming about writing the great american novel or what you’ll wear at the awards ceremony because that’s not what writing’s about or how you get there from here. the road is made entirely out of words. write a lot. maybe at the outset you’ll be like a toddler—the terrible twos are partly about being frustrated because you’re smarter than your motor skills or your mouth, you want to color the picture, ask for the toy, and you’re bumbling, incoherent and no one gets it, but it’s not only time that gets the kid onward to more sophistication and skill, it’s effort and practice. write bad stuff because the road to good writing is made out of words and not all of them are well-arranged words.
… HOW TO BE A WRITER: 10 TIPS FROM REBECCA SOLNIT